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First, Nicks examines the vicissitudes of fame under the rock & roll spotlight, and more specifically, the daunting task of embracing professional ambition while trying to preserve personal relationships.

The iconic album artwork shows Nicks assuming a poised stance while casting a fiercely confident gaze toward her observers, imagery emblematic of her desire to make вЂњa change based on the turmoil in my soul,вЂќ as she explained to Rolling Stone in 1981.ДЄmong the handful of thematic threads present across Bella Donna, two emerge as the most pervasive and ultimately define the albumвЂ™s emotional weight and empowered tone. The title itself suggests NicksвЂ™ conflicted state at the time, as the Italian phrase вЂњBella DonnaвЂќ translates as вЂњBeautiful Woman,вЂќ but even the most amateur botanist knows that Belladonna is one of the most toxic plants around.

Produced by legendary record executive and Interscope Records co-founder Jimmy Iovine, whom Nicks was also romantically involved with for a short time, the ten-track Bella Donna revolves around its creatorвЂ™s quest to reconcile the competing forces in her life, both personally and professionally.

#The 1975 deluxe edition zippyshare mac

Though Nicks begin recording Bella Donna in the waning days of 1980, the seeds for her debut solo album were planted years before, as Nicks wrote a handful of the songs before joining Fleetwood Mac in early 1975 and others throughout her first few years with the band.

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So I saw some time coming up that I was going to be free enough to actually pick out the songs and do it, and I did it to prove to myself that I could still exist alone.вЂќ

вЂњAnd after six or seven years of that, you don't really know anymore until you actually try to so something alone. вЂњI wanted to make sure that I could still exist alone without Fleetwood Mac and without the entourage and without everything that went along with being in a very big rock and roll band,вЂќ Nicks admitted during a 1981 interview with New York radio station WLIR. In late 1980, after nearly a year on the road with Fleetwood Mac as they played more than 100 shows worldwide in support of Tusk, Nicks found herself navigating a career crossroads, craving more autonomy and eager to nurture her own identity, independent of the band. Indeed, NicksвЂ™ lyrical and vocal charms featured prominently across the groupвЂ™s trio of masterful LPs (1975вЂ™s Fleetwood Mac, 1977вЂ™s Rumours, and 1979вЂ™s Tusk), with unforgettable performances on massive hits and classic tunes including вЂњRhiannon,вЂќ вЂњLandslide,вЂќ вЂњDreams,вЂќ вЂњGold Dust Woman,вЂќ вЂњThe Chain,вЂќ вЂњSara,вЂќ and вЂњSisters of the Moon.вЂќ For me personally, aside from the equally indispensable Bonnie Raitt, NicksвЂ™ dynamic voice-which her close friend Sheryl Crow once described as the вЂњcombination of sheer vulnerability and powerвЂќ-is the one I remember most vividly from my early childhood, thanks to my parents playing Fleetwood Mac records loud and often in our home. Though Fleetwood MacвЂ™s songwriting and lead vocal responsibilities were divided roughly equally between Buckingham, Christine McVie, and Nicks, the latterвЂ™s distinctive voice was the one that most people intuitively associated with the band. As her band ascended to stratospheric heights of success, she cultivated a rarified mystique and bewitching persona that earned her one of the most passionately devoted fan bases any rock-pop star has ever been able to claim, before or since. Happy 40th Anniversary to Stevie NicksвЂ™ debut solo album Bella Donna, originally released July 27, 1981.Дuring the latter half of the 1970s, the enigmatic Stevie Nicks conquered the music world alongside her Fleetwood Mac compatriots Mick Fleetwood, Lindsey Buckingham, and the McVies Christine and John.